Transpose Music Online

To transpose music online, paste your chords or chord sheet into the transposer and press ♭ or ♯ (one semitone per click) or pick the new key. Every chord moves by the same interval, the lyrics stay exactly where they were, and you can copy or print the result. Recordings go to the Key Changer.

Chord Transposer

Paste chords or a chord sheet with lyrics, then press ♭ or ♯ or pick the new key. Only the chords change; the lyrics stay as you typed them.

0 semitones

Chords above lyric lines, chord lines (C G Am F, with | bar lines) or chords in brackets inside the lyrics ([C]). Slash chords and extensions work: C/G, Cmaj7, Dm7b5, E7#9.

Your transposed chords appear here

Paste a chord sheet on the left (or above on a phone), or press Load example.


			

    Want to change the key of the recording itself? Use the Key Changer

    More options: sharps or flats · capo · B♭, E♭ and F instruments · original key

    Paste chords to get a capo suggestion.

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    How to use the chord transposer

    1. Paste your chords. A chord sheet with the chords on their own line above the lyrics, a chord line such as | C G | Am F |, or chords in brackets inside the lyrics ([C]Amazing [G]grace). Load example shows the format.
    2. Press ♭ Down or ♯ Up, one semitone per click, or choose the New key. The tool detects the original key from the chords; if it guesses wrong (for example A minor instead of C major), set it under More options → Original key or check it with how to find the key of a song.
    3. Read the result. The summary shows the old and new key, the number of chords changed and the lyric lines left untouched. Changed chords are highlighted, and the chord list under the sheet shows every change (G → A, Em → F♯m).
    4. Copy or print. Copy result copies plain text that keeps its spacing in any monospaced editor; Print prints only the transposed sheet.
    5. Open More options if you need them: sharps or flats, a capo with easy chord shapes, B♭ / E♭ / F instruments, and the original key.

    What the tool reads as a chord: a capital letter A–G, an optional ♯ or ♭ (# and b work too) and a suffix such as m, 7, maj7, m7b5, sus4, add9, dim, aug or 7#9, optionally with a bass note (C/G). A line counts as a chord line when chord symbols outnumber other words at least two to one, so “Am I blue” stays a lyric while “Verse 1: C G Am” is transposed. N.C., bar lines, repeat signs (x2, %) and labels such as “Chorus:” stay in place.

    What does transposing music mean?

    Transposing moves every note and chord of a piece up or down by the same interval. A song in G major moved up 2 semitones is in A major: G becomes A, C becomes D, D becomes E and Em becomes F♯m. The melody, the harmony and the rhythm keep their shape; only the pitch level changes. A semitone is the smallest step (one piano key or one guitar fret; see what semitones are), and 12 semitones make an octave, so a shift of 12 gives the same chord names again.

    Why transpose? Singers move a song so its highest and lowest notes fit their voice; guitarists move it to keys with open chords; horn players need parts written for their instrument; and bands match the key of a backing track. Transposing changes the key, not the mode: a major song stays major (the key change vs pitch change guide explains the difference, and the circle of fifths shows how the keys relate).

    How to transpose chords by hand

    1. Find the original key (usually the first or last chord) and the target key.
    2. Count the semitones from one to the other along the chromatic scale: C, C♯/D♭, D, D♯/E♭, E, F, F♯/G♭, G, G♯/A♭, A, A♯/B♭, B. G to A is up 2; the semitones-to-change-key chart lists every pair.
    3. Move each chord root by that number and keep everything after the root: Am7 up 2 is Bm7, not B7.
    4. Move the bass note of slash chords too: D/F♯ up 2 is E/G♯.
    5. Spell the new chords for the new key: sharps in sharp keys (G, D, A, E, B), flats in flat keys (F, B♭, E♭, A♭, D♭).
    Worked example: G major to A major
    Original (G major)Up 2 semitones (A major)
    GA
    CD
    D7E7
    EmF♯m
    Am7Bm7
    D/F♯E/G♯

    The how to transpose a song guide goes through a full song, including melodies written as notes.

    Capo chart: easy chord shapes in any key

    A capo raises every string by 1 semitone per fret, so you play familiar open shapes and the guitar sounds higher. Find your capo fret in the left column and the shapes you play at the top: the cell is the key that sounds. Example: capo 2 with G shapes sounds in A major. The tool works the other way round: under More options → Guitar capo it suggests the lowest fret with easy shapes (C, G, D, A, E, Am, Em or Dm) for your new key and shows the sheet in those shapes.

    Sounding key for each capo fret and chord shape
    Capo fret ↓ / shapes →CGDAEAmEm
    Capo 1D♭A♭E♭B♭FB♭mFm
    Capo 2DAEBF♯BmF♯m
    Capo 3E♭B♭FCGCmGm
    Capo 4EBF♯D♭A♭C♯mG♯m
    Capo 5FCGDADmAm
    Capo 6F♯D♭A♭E♭B♭E♭mB♭m
    Capo 7GDAEBEmBm

    Singers with a guitarist: find the key that suits you first (what key should I sing in), transpose the sheet to it, then use the capo suggestion so the guitarist keeps open chords.

    Transposing instruments: B♭, E♭ and F

    A transposing instrument sounds a different note from the one written. A B♭ trumpet playing a written C sounds a concert B♭, so its part must be written 2 semitones higher than the concert chords. Under More options → Instrument, choose B♭, E♭ or F and the direction: concert chords → written part turns a piano or guitar chart into chords for the horn player, and written part → concert chords does the reverse.

    Common transposing instruments (chord names; octave differences do not change chord names)
    InstrumentKeySoundsConcert → writtenConcert C becomes
    Piano, guitar, voice, flute, violin, oboeC (concert pitch)as written (guitar sounds an octave lower, same chord names)0C → C
    Trumpet, cornet, flugelhornB♭a major second lower than writtenup 2C → D
    Clarinet in B♭, soprano saxB♭a major second lowerup 2C → D
    Tenor saxB♭a major ninth lower (octave + 2)up 2C → D
    Alto saxE♭a major sixth lowerup 9 (= down 3)C → A
    Baritone saxE♭an octave + a major sixth lowerup 9 (= down 3)C → A
    French horn, English hornFa perfect fifth lowerup 7 (= down 5)C → G

    Tip: alto sax players often think “down 3” (C concert → A written), which is the same chord names as up 9; the octave is up to the player.

    Transposing chords or a recording: which tool should you use?

    This page changes chord symbols, not sound. Want to change the key of the recording? Use the Key Changer (the first card above): it shifts the audio by semitones and keeps the tempo. The transposer shows the same shift, so the sheet and the recording can match.

    Chords vs audio: pick the right tool
    You have…Use
    Chords or a chord sheet as textThis chord transposer
    A song file to sing or play along with in a new keyThe Online Key Changer (card above), or the audio pitch changer for any audio format
    A YouTube songYouTube pitch changer
    Your own recorded voiceVocal pitch changer
    A quick pitch change of any fileOnline pitch changer
    A major song you want in minorMajor to Minor Converter (card above): a mode change, not a transposition

    Questions about transposing music

    Can I transpose an MP3 or a YouTube song here?

    No: this tool transposes written chords, not audio. For a recording, open the Key Changer from the link under the result; it opens with the same number of semitones already set. Everything you paste here stays in your browser and is not uploaded.

    Does transposing change the lyrics or the rhythm?

    No: only the chord symbols change. Lyric lines come out exactly as typed, and each chord keeps its column above the lyrics. When a new chord name is longer (C → C♯), the next chord moves only if there is no space left, by one space.

    Should I use sharps or flats?

    Use the spelling of the new key: sharps in G, D, A, E, B and F♯ major, flats in F, B♭, E♭, A♭ and D♭ major. The automatic setting does this; under More options you can force sharps or flats if your band prefers one.

    How many semitones should I transpose for my voice?

    Most singers need 1 to 3 semitones. If the chorus strains your voice, go down 2 and test; see song too high for your voice and key for your vocal range. Songs by a singer of the other voice type often need 4 to 7 (male to female key change).

    Why was a line not transposed?

    The tool changes a line only when it looks like chords. Chord names must start with a capital A–G and outnumber other words two to one. Put chords on their own line above the lyrics or in brackets, like [C], and they will be transposed.

    How do I transpose music for alto sax?

    Choose E♭ instrument and “concert chords → written part”. Every chord moves up 9 semitones (the same names as down 3): concert C becomes A, concert F becomes D. For trumpet, clarinet or tenor sax choose B♭ (up 2).

    Tested: what we checked

    • 918 chord symbols (17 roots × 48 suffixes, plus slash chords) at 12 shifts, in sharps, flats and automatic spelling: 33,048 results checked against the note formula, 0 errors.
    • 40 lyric lines, including traps such as “Am I blue” and “A B C, easy as 1 2 3”, at every shift from −12 to +12: none changed.
    • 400 randomly spaced chord lines (1,563 chords): each chord kept its column whenever there was room; the other 49 moved exactly one space after a longer chord name.
    • Key detection on 96 test progressions in all 24 keys: 96 correct. Capo suggestions for 24 keys and B♭ / E♭ / F transpositions checked both ways.

    Last updated 27 September 2026 by Mayer. How we test: how it works.

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